



Always the same wish, 70 × 50 cm, acrylic on canvas, 2024



Alternative therapy, 50 × 60 cm, acrylic on canvas, 2024


Tears of success, 40 × 30 cm, acrylic on canvas, 2024


Tears of failure, 40 × 30 cm, acrylic on canvas, 2024




The relationship with my sister, 84 × 85 cm, acrylic on canvas, 2024



Pollito, 100 × 80 cm, acrylic on canvas, 2024




Salsa sensual, 85 × 120 cm, acrylic on canvas, 2024

Office, 50 × 40 cm, acrylic on canvas, 2023

Vacation, 50 × 40 cm, acrylic on canvas, 2023



It is not your fault to love, 155 × 210 cm, acrylic on canvas, 2023



Blonde with her own money, 140 × 190 cm, acrylic on canvas, 2023



My german teacher, 150 × 210 cm, acrylic on canvas, 2023



No more babies, please, 140 × 200 cm, acrylic on canvas, 2022



Salchipapas or currywurst? II, 140 × 200 cm, acrylic on canvas, 2022




Happy ending telenovela, 100 × 160 cm, acrylic on canvas, 2022






Reggaeton heals, 165 × 300 cm, acrylic on canvas, 2022
Reggaeton heals I have so much to thank reggaeton for; it has been present in many important moments of my life, and it will likely continue to be so. From my first kiss to my first party, my first one-night-stand to milestones like finishing school, starting university, leaving Peru, arriving in Germany, and returning to Peru after some years, even in the depths of my sorrow when my dad passed away. Reggaeton has been my solace, inspiring paintings and filling me with positive energy, dispelling the bad vibes.
For me, reggaeton is about surrendering to the music and the person you're dancing with, even if it's just yourself, and falling in love for as long as the song plays. It's the embodiment of passion and pleasure, expressed in words that many shy away from. It's worth spending hours in the shower or at work, dancing in front of the mirror, and even in places with questionable reputations. It's worth rubbing up against strangers.




Where one can eat, two can eat, 145 × 100 cm, acrylic on canvas, 2022




Agua de calzón, 175 × 100 cm, acrylic on canvas, 2021
Agua de Calzón After a period of unsuccessful ventures in love, I met a man who captured my heart. Nights brimming with conversation and playful flirt led me to believe that he felt the same. However, as friends had warned me, German men are slow and shy, prompting me to take matters into my own hands. My aunt Elena had already imparted wisdom on this matter, and countless women sought advice from my uncle Pancho. The renowned 'Agua de Calzón' (Panties Water), a legendary elixir coveted by individuals like myself, eager to love and be loved. This potion promises to make the one who drinks it fall madly in love with you.
Without hesitation, I devised a plan. The challenge: wearing the same underwear for three consecutive days, in order to create a tea to be given during a romantic dinner to my beloved-to-be. This 'amarre'—a term denoting the bewitchment of a partner, common in Latino culture—may prove arduous, yet its efficacy is undeniable. It induces a sense of desperation in the recipient, rendering them unable to rest or eat in sustenance without your presence—a thought that fills me with satisfaction.


Daddy is flying, 100 × 80 cm, acrylic on canvas, 2022




Selling myself to the devil, 140 × 180 cm, acrylic on canvas, 2022




Cleaning the house, 80 × 115 cm, acrylic on canvas, 2022




Salchipapas or Currywurst?, 180 × 135 cm, acrylic on canvas, 2021

Egg cleansing, 140 × 180 cm, acrylic on canvas, 2021
Egg cleansing The egg cleansing ritual has been passed down through generations, spanning many years, as a means to dispel the infamous "evil eye." Since my childhood, my aunts performed this ritual on me, just as my grandmother did on them. The egg, symbolizing life's essence, possesses the ability to absorb negative energies, comparable to a fetus absorbing its mother's energies. This healing practice is observed in various cultures in Mesoamerica.
Having practiced it throughout my life, I discovered upon arriving in Germany that it was not commonplace in this part of the world. I began offering the ritual to several friends, particularly during the waning moon phase, and they reported feeling rejuvenated afterwards.


Put your hand on my shoulder, 50 × 70 cm, acrylic on canvas, 2021



La Bodega, 140 × 180 cm, acrylic on canvas, 2021





Ceviche and friends, 50 × 70 cm, acrylic on canvas, 2021


Gutes Mädchen, 115 × 80 cm, acrylic on canvas, 2021





Selfdestruction or boredom?, 100 × 135 cm, acrylic on canvas, 2021





Hanging an absence, 100 × 160 cm, acrylic on canvas, 2021







Panchos´s Home Office, 100 × 160 cm, acrylic on canvas, 2021
Pancho´s Home Office I lived under this room for some years, which included an altar crafted by his own hands. Uncle Pancho was a healer, a witch doctor, a shaman. His clientele hailed from diverse backgrounds, including politics. He offered counsel to politicians, recommending specific rituals to attract abundance and foster success. Engaging in moorings and prayer, he supported individuals navigating through challenging phases in their lives, with photographs of these individuals adorning the walls of his room. He was beloved by all.
From him, I gleaned invaluable insights into our culture, our family, our ancestors, and the virtue of simplicity. He embodied traditional Macho, with a penchant for being attended to, a trait often unquestioned in our conservative family. Upon his passing, my aunts took it upon themselves to cleanse the room, incinerating its contents with the belief that leaving anything behind would invite misfortune. "It's bad luck to leave everything in there," they proclaimed.



Pañuelo Verde/Grünes Tuch, 145 × 100 cm, acrylic on canvas, 2020




Sweep the floor with your hair, 145 × 100 cm, acrylic on canvas, 2021



I had a stalker, 140 × 220 cm, acrylic on canvas, 2020




Always the same wish, 70 × 50 cm, acrylic on canvas, 2024



Alternative therapy, 50 × 60 cm, acrylic on canvas, 2024



The relationship with my sister, 85 × 84 cm, acrylic on canvas, 2024


Tears of success, 40 × 30 cm, acrylic on canvas, 2024


Tears of failure, 40 × 30 cm, Acrylic on canvas, 2024



Pollito, 100 × 80 cm, acrylic on canvas, 2024




Salsa sensual, 85 × 120 cm, acrylic on canvas, 2024

Office, 50 × 40 cm, acrylic on canvas, 2023

Vacation, 50 × 40 cm, acrylic on canvas, 2023



It is not your fault to love, 155 × 210 cm, acrylic on canvas, 2023



Blonde with her own money, 140 × 190 cm, acrylic on canvas, 2023



My german teacher, 150 × 210 cm, acrylic on canvas, 2023



No more babies, please, 140 × 200 cm, acrylic on canvas, 2022



Salchipapas or currywurst? II, 140 × 200 cm, acrylic on canvas, 2022




Happy ending telenovela, 100 × 160 cm, acrylic on canvas, 2022






Reggaeton heals, 165 × 300 cm, acrylic on canvas, 2022
Reggaeton heals I have so much to thank reggaeton for; it has been present in many important moments of my life, and it will likely continue to be so. From my first kiss to my first party, my first one-night-stand to milestones like finishing school, starting university, leaving Peru, arriving in Germany, and returning to Peru after some years, even in the depths of my sorrow when my dad passed away. Reggaeton has been my solace, inspiring paintings and filling me with positive energy, dispelling the bad vibes. For me, reggaeton is about surrendering to the music and the person you're dancing with, even if it's just yourself, and falling in love for as long as the song plays. It's the embodiment of passion and pleasure, expressed in words that many shy away from. It's worth spending hours in the shower or at work, dancing in front of the mirror, and even in places with questionable reputations. It's worth rubbing up against strangers.




Where one can eat, two can eat, 145 × 100 cm, acrylic on canvas, 2022




Agua de calzón, 175 × 100 cm, acrylic on canvas, 2021
Agua de Calzón After a period of unsuccessful ventures in love, I met a man who captured my heart. Nights brimming with conversation and playful flirt led me to believe that he felt the same. However, as friends had warned me, German men are slow and shy, prompting me to take matters into my own hands. My aunt Elena had already imparted wisdom on this matter, and countless women sought advice from my uncle Pancho. The renowned 'Agua de Calzón' (Panties Water), a legendary elixir coveted by individuals like myself, eager to love and be loved. This potion promises to make the one who drinks it fall madly in love with you.
Without hesitation, I devised a plan. The challenge: wearing the same underwear for three consecutive days, in order to create a tea to be given during a romantic dinner to my beloved-to-be. This 'amarre'—a term denoting the bewitchment of a partner, common in Latino culture—may prove arduous, yet its efficacy is undeniable. It induces a sense of desperation in the recipient, rendering them unable to rest or eat in sustenance without your presence—a thought that fills me with satisfaction.


Daddy is flying, 100 × 80 cm, acrylic on canvas, 2022




Selling myself to the devil, 140 × 180 cm, acrylic on canvas, 2022




Cleaning the house, 80 × 115 cm, acrylic on canvas, 2022




Salchipapas or Currywurst?, 180 × 135 cm, acrylic on canvas, 2021

Egg cleansing, 140 × 180 cm, acrylic on canvas, 2021
Egg cleansing The egg cleansing ritual has been passed down through generations, spanning many years, as a means to dispel the infamous "evil eye." Since my childhood, my aunts performed this ritual on me, just as my grandmother did on them. The egg, symbolizing life's essence, possesses the ability to absorb negative energies, comparable to a fetus absorbing its mother's energies. This healing practice is observed in various cultures in Mesoamerica.
Having practiced it throughout my life, I discovered upon arriving in Germany that it was not commonplace in this part of the world. I began offering the ritual to several friends, particularly during the waning moon phase, and they reported feeling rejuvenated afterwards.


Put your hand on my shoulder, 50 × 70 cm, acrylic on canvas, 2021



La Bodega, 140 × 180 cm, acrylic on canvas, 2021





Ceviche and friends, 50 × 70 cm, acrylic on canvas, 2021


Gutes Mädchen, 115 × 80 cm, acrylic on canvas, 2021





Selfdestruction or boredom?, 100 × 135 cm, acrylic on canvas, 2021





Hanging an absence, 100 × 160 cm, acrylic on canvas, 2021







Panchos´s Home Office, 100 × 160 cm, acrylic on canvas, 2021
Pancho´s Home Office I lived under this room for some years, which included an altar crafted by his own hands. Uncle Pancho was a healer, a witch doctor, a shaman. His clientele hailed from diverse backgrounds, including politics. He offered counsel to politicians, recommending specific rituals to attract abundance and foster success. Engaging in moorings and prayer, he supported individuals navigating through challenging phases in their lives, with photographs of these individuals adorning the walls of his room. He was beloved by all.
From him, I gleaned invaluable insights into our culture, our family, our ancestors, and the virtue of simplicity. He embodied traditional Macho, with a penchant for being attended to, a trait often unquestioned in our conservative family. Upon his passing, my aunts took it upon themselves to cleanse the room, incinerating its contents with the belief that leaving anything behind would invite misfortune. "It's bad luck to leave everything in there," they proclaimed.



Pañuelo Verde/Grünes Tuch, 145 × 100 cm, acrylic on canvas, 2020




Sweep the floor with your hair, 145 × 100 cm, acrylic on canvas, 2021



I had a stalker, 140 × 220 cm, acrylic on canvas, 2020